Restore the Arts

A French-American academy of composers, poets, and artists

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August 3, 2021August 3, 2021axline3

Moving some older posts to the top

September 28, 2018August 3, 2021axline3

Meet Father Luc Reydel: Chaplain to Artists of the City of Paris

June 15, 2018August 3, 2021axline3

The Last Neoclassical Revival was French – and Our Inspiration

October 11, 2016August 3, 2021axline3

Neo-Baroque music – Webster Young Interview

September 29, 2016August 3, 2021axline3

Our Mission Statement in English – Restore the Arts

September 29, 2016August 3, 2021axline3

Our Mission Statement (Declaration de mission) for Restore the Arts (Francais)

September 26, 2020August 4, 2021axline3

New Orchestra Piece by Mark Vigil

October 27, 2019November 1, 2019axline3

Facebook Event Page for our Nov. 16th Opera and Hymns Concert

October 19, 2019August 3, 2021axline3

American Discussion of Reforming Government Arts Support Should not be Abandoned

October 7, 2019November 1, 2019axline3

Restore the Arts benefit concert in New York is set for Nov 16th

September 18, 2019September 19, 2019axline3

The “Beehive” in Paris – A Pilgrimage

September 8, 2019October 17, 2019axline3

The First Event for Restore the Arts

September 8, 2019October 24, 2019axline3

Restorethearts.net – New Web Address of Restore the Arts

August 22, 2019August 22, 2019axline3

A Composer with a Good Ear – Writing for the Arpeggione

August 11, 2019August 11, 2019axline3

Will Cyrano Finally Get a Great Melody?

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From our Mission Statement:

“We assert that the best values for the future of the fine arts come from neoclassicism, which may also be called neo-Humanism, and which this group will seek to define and make better known. Our idea of neoclassicism will be a surprisingly wide tent. For example, we claim that Marc Chagall, Georges Rouault, and to a lesser extent Max Beckman are neo-Humanist and neoclassical in spirit, because their art involves deep and uplifting meaning and transformation, which is not elitist, and is communicable to an audience, and whose message is contained within the form of the work itself. “

Our Mentors/Influences of the Past

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